Click here to meet the characters in my rough draft of Chapter 1: Lost in Life from Love Down Under.
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Last night I witnessed the standard definition of dating. While I was training to be a server at a local brewery, a man walks in, dressed in a very polished style. Instead of sitting down, he tells us he’s meeting someone and will wait by the door. A few minutes later, a woman parades in, dressed and done up in a sophisticated, classy way. They exchange names as if they’ve never actually met, and give each other a dramatic welcome hug. We huddle in the kitchen and decide this must be a first date, or a reunion of some sort.
We realize we’re right when they sit at a table and drink and talk for over two hours. They don’t order food. They hardly touch their drinks. They are totally engrossed in each other. Animated and engaged with one another. Blinders on to anyone else who walks in. She uses her hands to express herself, and he is subdued, but focused on her.
Their care for the impression they make on their companion, and their interaction are what impress me the most. I consider jeans dressy enough for date night, and my husband and I usually spend the majority of the time talking about the kids or on our phones. Not exactly romantic and engaging.
But was the history of dating always romantic and engaging? Nope. Before the start of the twenthieth century, dating was far more formal and considered courtship. It was more about social status and a benenficial arrangement than emotion and love. Courtship was always supervised and the goal was marriage.

Photo by Pixabay on Pexels.com Eventually restrictions loosened and, although boys still traditionally had to ask for permission from fathers, it became normal for couples to just go out and have fun together and not worry about the future. Following social trends, dating became more about love and less about the benefits. The idea of going steady with someone for a long period of time, getting engaged, then getting married was still the American Dream for most people, but it didn’t have to be for everyone anymore.
Today, the goal of dating may vary depending upon the individuals involved. Marriage can still be a goal, although the timeline may be far longer or shorter than that of the 1900s. Another goal could just be to have fun with someone. Companionship. To meet someone new. Sexual gratification. All of these could be reasons for courtship and dating in today’s society.
Dating today is what you make of it. The sky is literally the limits. I mean that you can take a girl skydiving. Or wait for her to ask you to go on a picnic. Relaxing at a movie is always a great fall-back, and if you’re financially strapped, check out Pinterest for thousands of great cheap date ideas. You have the freedom to make dating what it needs to be for you and your partner.
Another evolutionary development to courtship is online dating. According to eharmony.com, 40% of Americans have used online dating at some point. This impersonal means of communicating in order to find a personal connection doesn’t make much sense to me, but it seems to work for at least a few others. Despite the fact that 53% of people lied on some aspect of their online profile, nearly 20% still found a long-term, committed relationship. That doesn’t include the success rate for people who were just looking to hook up or meet friends. So even with the development of online dating, dating is still what you decide to make of it.

Photo by Pixabay on Pexels.com So what are some strategies for dating in today’s world? Culturalweekly.com recommends being open to new experiences. You have to meet somebody new anyway, might as well do it in an uncomfortable setting that will help you grow as a person. They also urge people to not shy away from online dating, as it widens the opportunities and choices immensely. A common sense tip is boosting your own confidence before you try dating. Go hit up the gym. Get your nails and hair done and strut your stuff. And remember, the foundation of any relationship is trust so be honest right away about your intentions and goals for the relationship. If you’re looking for someone to walk you up the aisle eventually, let your date know. If you’re looking for a roll in the sheets and then the walk of shame, make sure he’s or she is up for that.
And remember, those of you who are married: you can always date your spouse to help keep the love alive. For that is what this life is about. Spreading love and giving kindness. Having hope and making connections. As philosopher Matashona Dhliwayo advises, “If your heart has been broken nine times, muster the courage to love again for the tenth.” For love is what makes the world go around, and how do we find love? By successfuly dating and courting one another. Good luck on your adventures in love!

Photo by Andrea Piacquadio on Pexels.com -
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Click here to read my review of this classic Nora Roberts romantic thriller!

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Click here for the prologue of Love Down Under, by Valerie Jean.

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Summary
The conclusion to the Three Sisters Island Trilogy gives us once again, another perspective of magic. One that is a whole-hearted lifestyle, influencing not only beliefs, but also holidays and hopes and who our protagonist loves.
Mia Devlin, alongside her two sister witches, Nell Channing and Ripley Todd, must finally take her turn at defeating the darkness trying to drown the island they call home. Just as Mia’s ancestor lost her love to the call of the sea, Mia lost her love to the call of life outside of the island. When Sam Logan left the island, he left Mia broken and alone. His return to island over a decade later, at this point in the cycle of the curse, is no coincidence. Mia must come to terms with the love and attraction she still feels for him, despite the lack of trust she has in him.
When Sam purchases the only hotel on the island and makes it obvious he’s back to stay and ready to pursue Mia, she is tempted to throw herself back into his arms. However, she must stay focused if she is to defeat the evil that has taken the form of a large, magical wolf. The only way she can save the island is through learning to trust again – herself and her love.
Evaluation – plot content style
The plot of this final novel is far more abstract. If you don’t believe in magic for at least the duration of this book, you’ll lose interest quickly. There are many events – visions and manifestations – that could only be construed through belief in magic. And the main romantic conflict revolves around the magic; not only the bright magic of their love, but also the dark magic that pulls Mia’s ancestor’s lover away and feeds off of Mia’s doubt. While the storyline itself is strong, with a clear beginning, middle, and end, the drive of the book comes from its references to magic and witchcraft.
Stylistically, the novel is beautifully written. There are poetic chants, which are skillfully put together by Roberts, but nearly overused at points. The figurative language she uses helps readers connect to how magic infuses the lives of both Mia and Sam. It is impossible to give concrete details for abstract, concept ideas, so the style of the book is very figurative.
The content of this book covers less controversial issues than the previous two, but there are still some relevant to today’s society. Parental pressure, Trust in relationships, and belief in oneself, just to name a few. The most impactful issue within the book is the existence and use of magic and witchcraft. These topics even tie into an intense sex scene between Mia and Sam, where they share not only their bodies, but also their magic. This makes it more powerful and connects them even more.
Similar/Related Readings
Dance Upon the Air: Book One in the Three Sisters Island Trilogy, by Nora Roberts
Heaven and Earth: Book Two in the Three Sisters Island Trilogy, by Nora Roberts

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Click here for my review of Driven, by K. Bromberg!

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“I have a secret.”
“I’ll bet I know what it is.”
She yanks my ear down
To hear the sound
Of her tiny whispered voice
Making just enough precious noise
To hear her say,
“I love you, Mommy,”
In a voice with a smile.
Then she hugs me awhile.
Her arms wrap around my neck
And I have to check
The tears that well up
Because of her unconditional love.
“I have one for you.”
I know just what to do.
I lift her into my arms
And give her all of my charms.
“I love you Sweet Pea.
You’ll always have me.”
Then I squeeze her so tight
But she doesn’t try to fight
How I hold her close
From her head to her toes.
-Valerie Jean

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I hold in my hand,
The beginning and the end.
It starts like a new morn,
Shining down on the earth.
It begins to take shape,
Like a babe before birth.
It grows and expands
Until it fills up my heart
I hold in my hand,
The laughter and the tears.
The difference between happiness,
Or sad, lonely years.
The gift from another soul,
In this lifetime,
The meaning of all.
The rhythm and the rhyme.
I hold in my hand,
The love of another.
A gift from a friend,
Or family or lover.
What I do with this gift
Is completely up to me.
I’ll treasure it forever.
For all eternity.
-Valerie Jean

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Click here to read my review of the second book in the Three Sisters Island Trilogy!

Look for my review of Face the Fire, the conclusion to this magical series!
